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Best listened to on repeat
Malaysian-Irish producer and songwriter Yunè Pinku had her breakthrough moment only a few months ago, with the September release of What You Like, a slick, addictive tune created in collaboration with Australian producer Logic1000.
Best listened to on repeat, the song features Pinku’s honeyed vocals throughout: “In my mind /I need you all the time /24-hour, service /Now that you are mine.” As for the 18-year-old’s even-more-recently-released Laylo, it’s a UKG-influenced banger about FOMO and navigating the anxieties of early adulthood. If you fancy an extra insight into her musical universe, listen to her dreamy FACE Mix here.
Prestige behind the boards
Mac Wetha has a couple of tricks up his sleeve. He’s known for crafting warm hip-hop beats with the NiNE8 collective, which led to him producing Burden, the very good opening track on Aminé’s 2020 album Limbo. Then there’s the 24-year-old rocking out as an indie frontman. As the baggy jeans indicate, there’s a bit of a ’90s/early ’00s nostalgia thing going on (he pulled off a cover of Weezer’s classic Say It Ain’t So during recent support slots for Dirty Hit labelmate Beabadoobee). But thanks to Wetha’s multi-genre approach and his prestige behind the boards, there are fizzy flourishes in the production that give his emotive anthems a fresh feel. It all bodes very well for a debut album, which we hope he drops this year.
Mac Wetha has a couple of tricks up his sleeve. He’s known for crafting warm hip-hop beats with the NiNE8 collective, which led to him producing Burden, the very good opening track on Aminé’s 2020 album Limbo. Then there’s the 24-year-old rocking out as an indie frontman. As the baggy jeans indicate, there’s a bit of a ’90s/early ’00s nostalgia thing going on (he pulled off a cover of Weezer’s classic Say It Ain’t So during recent support slots for Dirty Hit labelmate Beabadoobee). But thanks to Wetha’s multi-genre approach and his prestige behind the boards, there are fizzy flourishes in the production that give his emotive anthems a fresh feel. It all bodes very well for a debut album, which we hope he drops this year.
Mac Wetha has a couple of tricks up his sleeve. He’s known for crafting warm hip-hop beats with the NiNE8 collective, which led to him producing Burden, the very good opening track on Aminé’s 2020 album Limbo. Then there’s the 24-year-old rocking out as an indie frontman. As the baggy jeans indicate, there’s a bit of a ’90s/early ’00s nostalgia thing going on (he pulled off a cover of Weezer’s classic Say It Ain’t So during recent support slots for Dirty Hit labelmate Beabadoobee). But thanks to Wetha’s multi-genre approach and his prestige behind the boards, there are fizzy flourishes in the production that give his emotive anthems a fresh feel. It all bodes very well for a debut album, which we hope he drops this year.
Mac Wetha has a couple of tricks up his sleeve. He’s known for crafting warm hip-hop beats with the NiNE8 collective, which led to him producing Burden, the very good opening track on Aminé’s 2020 album Limbo. Then there’s the 24-year-old rocking out as an indie frontman. As the baggy jeans indicate, there’s a bit of a ’90s/early ’00s nostalgia thing going on (he pulled off a cover of Weezer’s classic Say It Ain’t So during recent support slots for Dirty Hit labelmate Beabadoobee). But thanks to Wetha’s multi-genre approach and his prestige behind the boards, there are fizzy flourishes in the production that give his emotive anthems a fresh feel. It all bodes very well for a debut album, which we hope he drops this year.
Mac Wetha has a couple of tricks up his sleeve. He’s known for crafting warm hip-hop beats with the NiNE8 collective, which led to him producing Burden, the very good opening track on Aminé’s 2020 album Limbo. Then there’s the 24-year-old rocking out as an indie frontman. As the baggy jeans indicate, there’s a bit of a ’90s/early ’00s nostalgia thing going on (he pulled off a cover of Weezer’s classic Say It Ain’t So during recent support slots for Dirty Hit labelmate Beabadoobee). But thanks to Wetha’s multi-genre approach and his prestige behind the boards, there are fizzy flourishes in the production that give his emotive anthems a fresh feel. It all bodes very well for a debut album, which we hope he drops this year.
Mac Wetha has a couple of tricks up his sleeve. He’s known for crafting warm hip-hop beats with the NiNE8 collective, which led to him producing Burden, the very good opening track on Aminé’s 2020 album Limbo. Then there’s the 24-year-old rocking out as an indie frontman. As the baggy jeans indicate, there’s a bit of a ’90s/early ’00s nostalgia thing going on (he pulled off a cover of Weezer’s classic Say It Ain’t So during recent support slots for Dirty Hit labelmate Beabadoobee). But thanks to Wetha’s multi-genre approach and his prestige behind the boards, there are fizzy flourishes in the production that give his emotive anthems a fresh feel. It all bodes very well for a debut album, which we hope he drops this year.
Nothing is off limits
Listening to THE BLOSSOM makes you feel everything all at once. The LA-based artist draws from an eclectic pallete of influences where nothing is off limits. For THE BLOSSOM, there’s no such thing as genre, each sound is simply a means to an end to capture an emotion just right.
Back in April, THE BLOSSOM shared their debut EP 97 BLOSSOM—the first project released on Kevin Abstract and Romil Hemnani’s record label VIDEO STORE. “The whole writing process of 97 BLOSSOM was gut-retching and exhilarating, it was instinctual but also really intentional,” they tell us. “The entire year felt like curated chaos.” THE BLOSSOM’s most recent singles “SPIKE COLLAR” and “SPORTS CAR” double down on their affinity for ‘90s nostalgia and emotional maximalism. Each lyric hits harder than the one before as you float through waves of double-tracked acoustics and grunge guitar.
When asked about what we can expect in 2022, THE BLOSSOM doesn’t skip a beat: “I move at full speed ahead. I’ve got another full project on the way really soon. It’s bundled up, tangled up and spewed up ENERGY. I love playing live and sinking my teeth into touring and spilling more of my guts whenever I can. I’ll also still be a sloppy kiss making out with all my inner tears and fears then turning them into more songs. It’s all a never ending trash-fire in my head, so I keep throwing whatever I can into the flames. Also probably taking a lot of planes, trains and automobiles.”—Nico Tripodi
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Hard-hitting psychedelic territory
Florida-raised artist Terry Presume is a wild card. “I never approach music with a preconceived idea,” he told us last year, and it shows. Aside from athletic deliveries, a razor-sharp voice, and a clear point of view on life and music, you never know what you’re going to get.
“Act Up,” is a funky pop hit laced with rap verses, “Zaza and Some Runtz” takes that funk into hard-hitting psychedelic territory, and “Don’t Wait Forever” gets spiritual. Presume is a dynamic artist, but everything he releases comes across as deeply genuine and personal, and that’s part of what makes him such a compelling figure in an increasingly robotic and manufactured industry right now.
“I want to accomplish a few things in 2022 such as financial freedom and a better understanding of finance and business literacy amongst many other creative endeavors,” Terry explains in an email. “I feel good about my new music, it’s my life and slowly becoming ‘my sound.’ As for my headspace, it’s in its regular space, (my head). I have a love-hate relationship with humans and my mind is quite the dystopia so my actions are forever a bit affected by that. But in all honesty, I just want to get my music out to the world. I have it ready to go. In conclusion, I want my supporters to know that I miss getting music to them and that I’m also working on things outside of music at the moment. Foremost, it’ll be for us, then it’ll be for the world.”
Of every artist on this list, we probably know the least about what Terry Presume has in store for 2022, what sound he’ll tap into next, or how he’ll choose to share it with the world. Maybe it’s better that way.—Jacob Moore
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